Colectia de poze underbacau.3xforum.ro
Total 176 poze.

InapoiInainte

 
asa va arata spatele tonetei de la luceaf :dinti: peretii bacauani!asa va arata spatele tonetei de la luceaf :dinti:
22.09.200668.1KB
:) chat langa chioscul de ziare..:)
02.12.200636.1KB
din bacaului :))):rotfl::rotfl::rotfl::rotfl:
28.08.200621.7KB
i'm sorry...=( addyi'm sorry...=(
27.07.200614.5KB

 
what a lovelywhat a lovely day....:hi:
29.07.200618.1KB
aha :nod: :rotfl: wordd.... :))aha :nod: :rotfl:
29.07.200642.5KB
grav tare !!! mai uitat-va la what hiphop is e din mc-ilor si a dj-ilor shi e really dope. are sigrav tare dokumentaru !!! mai uitat-va la WHAT HIPHOP IS e din perspektiva MC-ilor si a DJ-ilor shi e really dope. Are si partzi de freestyle ku Immortal Technique si altii. pace
18.09.200631.1KB
da pakt k sa in martie e si mai bine trebuie sa mai astepti :rotfl: concert jedi mind tricksda pakt k sa amanat...orikum in martie e si mai bine :D:nod:...tur trebuie sa mai astepti :rotfl:
25.11.200630.4KB

 
hmmm..cu alte cuvinte si hazard de litere asezate in ordine zic, k e destul de convenabil avand inhmmm..cu alte cuvinte si hazard de litere asezate in ordine zic, k e destul de convenabil avand in vedere ca in 5 zile vedem 4 orase..75 ron doar transportul din orash in orash, cazarea..pentru 4 nopti eu zic, k 60 ron ar fi perfect! Iarasi schimband textul..cu alte cuvinte.. cazare + transport = 1.350.000.. sa calc pe grebla daca nu e parastas! Sa zicem ca pana la 150 mai bagam si bani pentru transport in orasele respective.. iar pana la 200 vizite la muzee and shituri, mankre, suveniruri,canuri,markere..etc! (evident valabil pt cine vrea)! Asadar cu un mil juma supravetuim! Pana la 1DEC..knd ne bagam in hora...informativa parintii, hamsterului , pestilor din acvariu...sau cu'i mai vreti, in legatura cu excursia ca sa stim sigur cati suntem si pe cine sa mai kemam..apropo...mai kemati si prieteni..! Va fi prea tzeava.. + ca ne mai int si cu altii din respectivele orase.. abea'stept! Ganditiva si pana la sarbatoarea tricolorului arunkti cu pietre'n geam cu confirmarea...pana una alta ma culc...zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
02.11.200642.8KB
volume 3 released in lynn - got to be bongo band - kelly + life - dance to the drummer's bongo bandVolume 3 Released in 1986 Tracklist Cheryl Lynn - Got To be Real Incredible Bongo Band - Apache Herman Kelly + Life - Dance To The Drummer's Beat Incredible Bongo Band - Bongo Rock UPP - Give It To You Jackie Robinson - Pussy Footer Bongo Rock and Pussy Footer was remixed by Lous Flores. Got To Be Real, sampled by 3rd Bass “Brooklyn-Queens”, DJ Jazzy Jeff & the Fresh Prince “Live at Union Square”, Eric B & Rakim “I Know You Got Soul”, Funky 4+1 “Rappin & Rockin the House”, NWA “Real N----z”, Whodini “Now That Whodini's Inside the Joint” and many more. Apache, sampled by 2 Live Crew “Megamixx”, Busta Rhymes “What the F--k You Want!!”, Busy Bee “Old School”, DJ Jazzy Jeff & the Fresh Prince “Live at Union Square”, Grandmaster Flash & the Furious Five “Freelance”, Kool Moe Dee “Way Way Back”, KRS-One “Who are the Pimps?”, LL Cool J “You Can't Dance”, Run-DMC “What's it All About?”, Schoolly D “Housing the Joint”, Sugarhill Gang“Apache Rap, ”Ultramagnetic MC’s “MC's Ultra”, Ultramagnetic MC’s “We're Ultra III”, West Street Mob “Break Dance Electric Boogie” and so many many many many many moore.... Dance To The Drummers Beat, sampled by 2 Live Crew “Megamixx”, DJ Jazzy Jeff & the Fresh Prince “Live at Union Square”, DJ Jazzy Jeff & the Fresh Prince “Magnificent Jazzy Jeff”, NWA “Dopeman” and many more. Pussy Footer, sampled by Eric B & Rakim “Just a Beat”, Eric B & Rakim “I Know You Got Soul", Just Ice’s “Back to the Old School” and more.
01.11.200611.9KB
chat langa chioscul de ziare..mmm..battle
12.10.200637.7KB
...word old school cartoon network...word
28.10.200615.9KB

 
shi uite shi poza promisa cu crewu ( ) ...... pace !!! about bboying bcshi uite shi poza promisa cu crewu ( Activisionz ) ...... pace !!!
29.07.200630.3KB
... ce ar fi daca..... ?...
05.08.200621.2KB
s`ar putea sa fie din bacaului :)))s`ar putea sa fie bacauan:))))
28.08.200632.8KB
old school b boy moves simple actually. you just spin on your back, and the ends in youOld School B Boy Moves Backspin Pretty simple actually. You just spin on your back, and the ends in freeze. But you have to be sure that you got enough speed to spin. Continuous Backspin This move was originally created by Crazy Legs of The Rock Steady Crew. He was searching for a way to make the backspin last longer. And so he did. He did the backspin and throwed his legs in and out. Crazy Leg called it "the continuous backspin." This is not Windmill. There are a lot of people that think it is the same, but it is not. Downrock/Basic/Six step There is a basic six step routine going around your body on the floor. You may advance the six step and you may again do some crazy style with your body on the floor. Elbow Spin It works in the same way as a headspin but much more difficult. There are two ways doing it. You may put your underarm on your head and spin on it, or even both underarms to spin till you stop. Or you could put your elbow to the floor and spin on it. It's not a new move but less practiced these days. Electric Boogie/Robot It's a 5 step basic routine witch goes from hand/elbow/shoulder like an electric shockwave trough the body. The Robot is acting like a robot Flair This is not a new move! The B Boys in the 70'ths were doing it, but they didn't have a name for it at that time. There was also a thing that the gymnastics do both on the floor and on a ramp. It is a difficult move. You need speed, strength and guts :) It is a really cool move and works excellent as a intro move to other power moves. Hanglide You put your underarm too your middlehip and just spin on the hand like that. You can also apin on the side, on the fist an with both hands. Even lift yourself up while you spins on your both hands. Handstand Freezes In the last years this has been a popular move. It works like an intro and are used alot in battles. Only your imagination can stop the ideas from the move. Headspin As easy as it's title is. You spin on your head. There are now so many types of Headspins. And it is used a lot to end a combination.. Knee Spin Another Old School move. Very few doing that today. But as it says, you spin on your knee while going round and round. Popping/Locking/Ticking The body pop around with hard movements. You use your whole body into this pointing, little jumps, locking the moves and small uprocks. Spider Yet another move that is almost gone. You put your legs over your shoulders and walk around on your hands. Looks really kind of strange... Suicide It is a type of freeze. Like you go on a voltage but lands straight on your back flat on the floor. This is a move that has been devolpmented the last years by B Boys throwing them self's in the air landing as dope as possible. But now as an intro enterering the ring. The Uprock Is from the early 70’s and are all inspired by early Kung Fu films and the Campoera. The Breakers are almost using the same type of steps as a material art fighter. Turtle - One hand stand. You jump around on one hand and have the other on the back. To reach speed you have to use bothe hands in the beginning. And when you use your both hands, then you are doing the Turtle. You may also go forth and back like this. This is a move that has been more than less replaced with the cricket. Uprock It's one of the most important moves to make an enter in the ring, also good as warming up before doing power moves and often downrocking. Windmill This move was very look-alike the continious backspin invented by Crazy Legs. But in this move you have to slide from shoulder to shoulder with straight out legs. And to start it you push away with your arms. Today there are a whole lot of ways to do the windmill. With hands and with no hands.
01.11.200611.8KB

 
style wars few films deserve to be deemed as essential viewing for lovers a certain culture. forStyle Wars Few films deserve to be deemed as essential viewing for lovers a certain culture. For hip-hop aficionados, some of these films include “Wild Styles”, “Krush Groove”, and “Beat Street”. In the medium of moving pictures, documentaries offer an accurate representation of the subject. “Style Wars”, known only to true lovers of the golden era, is the requisite documentary about the birth of hip-hop and graffiti culture. The exciting 1982 film documents an innovative time. “Style Wars” captures the energy, bonds, ideologies, risks, and talent of urban artists. The 2 disc DVD set overflows with recently filmed interviews, still photographs, a commentary track, and music. While a majority of the film focuses on graffiti, the film acknowledges the art form as a piece within the puzzle of hip-hop. With a myriad of races mixed together, the late 70’s / early 80’s graf movement evolved with a youthful, creative energy. “Style Wars” is the definitive graffiti film that authentically encapsulates a budding cultural movement in a time period of forgotten innocence. “Style Wars” succeeds in capturing an underground renaissance of urban artistic expression. Starting in the darkness of an underground subway tunnel, the film bursts into a bountiful ocean of spray-painted colors as the trains move like deep sea iron serpents. The actual film is interesting on the initial viewing, but repeated plays prove to be severely addictive. Audiences will be enthralled by the dynamic drama with the myriad of conflicts. First, the authorities wage war against the underground artists. Mayor Koch, the police, and the transit authority are not painted as evil enemies. Simply, they have a job to do. The conflicting opinions fuel both sides. The passion of the youth transforms into an unstoppable artistic revolution with spray paint. While some believe graffiti hurts the quality of our life and defaces public property, others believe graf gives the city an indelible. New York City attempts to cease the movement but fails. Guard dogs, laws, and barbwire fences cannot stop the determination of the youth. Decades later, this movement has endured. Second, the tensions between the writers perpetuate the mythology of danger surrounding the culture. Apathetic to how others view him, Cap is a bomber who sprays grey throw-ups over other people’s intricate pieces. The other writers have such a hate towards him, they did not want his name mentioned in the documentary. The existing violence between the artists is only verbalized. Viewers realize that the blood did spill off camera. Finally, the conflict between a mother and son is poignantly universal. With a brutal honesty, every viewer can relate to a war inside a home. In the film, Skeme and his mother fight a perpetual argument that adds a poignantly emotional element to the film. Just as Skeme cannot be convinced to stop, his mother can not be convinced to accept his art. Without resolutions, these conflicts add to the contemporary relevance of “Style Wars”. Music makes the artwork come alive. Tony Silver uses music to seamlessly glue together moving pictures and still photographs. With old school hip-hop songs, “Style Wars” gracefully moves the story with style. “The Message”, by Grandmaster Flash & The Furious Five is a perfect theme for Case, the one-armed maestro who wins the viewer’s hearts. “Beat Bop” (by Rammellzee Vs. K-Rob) is the magnificent theme for the film. Rammellzee’s old school flow perfectly encapsulates the movement’s energy. Rammellzee also raps about The Son of Sam as Rock Steady Crew break dance against Dynamic Rockers. The inclusion of older, non-hop-hop music adds the film’s panache while displaying how the culture’s substance runs deeper than what people think is stereotypical hip-hop. Seen’s theme song, “The Wanderer” proves how hip-hop transcends rap music. In the opening scene, the director uses the classical score from “Excalibur” for the painted train’s dramatic entrance. The connection between classical music and hip-hop music give the film a timeless quality. The objective news report style informs the viewer while adding a stylish authenticity. The sound of the stereotypical white narrator is (unintentionally) humorous, but direct as he teaches the viewers. If “Style Wars” was made today, an emcee would probably be the narrator. Instead, the film plays like a 70’s news report with a humorless narrator elucidating slang like a confused observer of a distant tribe. The informative film excites the viewer on all aspects of the culture. With a respectful authenticity, the film documents the first tag to go "all-city" (Taki 183), the evolution of bubble letters, throw ups vs. pieces, wild styles, and much more. The artists philosophize about the difference between bombing trains versus walls. Obviously, the true bomber loves the train yard. Dondi comments about his love for the odor of the train yard. Silver also insightfully comments about the exploitation of graf. Wealthy gallery owners attempt to incorporate graffiti to the suburbanites, who are hungry to profit off of underground urban culture. Reduced to retailers, the gallery owners yearn to legally capture the illegal energy of a train yard on a piece of canvas. Since the lawbreaking excitement and dangerous environment become their creative fuel, the true graf artists always return to the train yard. This mysterious danger surrounding the yard ultimately enhances the film’s potency. The heart of “Style Wars” lies within the myriad of fascinatingly real people. The artists are bonded by their secret language, which includes a camouflaged writing style. “Bombing”, “toy”, and “throw ups” are a few of the words writers still use today. As they speak in their own lingo, the culture forms around them. The writers know each other and inspire each other’s creativity. As the one-armed artist, Case walks into the projects rapping about Slick Rick, the audience gains respect and admiration for the artist as a person. Case’s involving life story makes graffiti universal. He tells stories about getting out of jail, just starting his work, losing his arm, and becoming an innovator. The film depicts Case as one of the most talented and revered artists in the film. Case’s “computer rock” lettering was one of his innovative contributions to graffiti. With only one arm, Case’s scenes give hope to the underprivileged since he proves anything can be accomplished. The bond between Dez and Trap is also touching. Dez (now known as DJ Kay Slay) is a father figure to the younger, Trap. The 3 artists (Case, Dez, and Trap) perfectly represent how graffiti is passed from generation to generation. A young, white kid from a prep school, Zephyr breaks the stereotype that graf writers are minorities. Seen and Iz The Wiz are also Caucasian writers, who earned respect with their cool personalities and their magnificent talent. Dondi was a revered soul who is sorely missed. Rammellzee is a living work of art as he walks the thin line between insanity and genius. His deep philosophy on “arming” letters to destroy symbols is creatively bizarre, but boldly imaginative. While gang members were getting killed for wearing the wrong colors, bombers (of all races) moved throughout the city with stylish respect. Bonded by the culture, the artists are all portrayed as talented individuals who transcend the stereotypical definition of art. Bonus features on “Style Wars” DVD will please the obsessive hip-hop historian. The 2-disc “Style Wars” DVD overflows with interesting interviews, out-takes, and artwork. Pieces can be appreciated in an organized menu. “Destroy All Lines” is a 30 minute loop displaying 200 painted trains. The music by EL-P, RJD2, and Aesop Rock is welcome, but the absence of “Beat Bop” is the DVD’s only flaw. The director’s commentary is extremely informative and massively entertaining. Tony Silver and Henry Chalfant talk about finding the artists, earning their respect, and fighting for their cause. The additional anecdotes are hidden treasures within the bonus features. Disc 2 also includes recently filmed interviews with a majority of the film’s participants. Insanely creative, Rammellzee is recognizable under self-made mask. Intuitive interviews by Guru, Fat Joe, DJ Red Alert, and Fab 5 Freddy validate graffiti’s importance to hip-hop culture. The captivating interviews with the directors and the editors give the film a new dimension. The poignant tributes to Dondi and Shy 147 create a nostalgic reverence. Some writers have become respected members of society. Some have traveled the world on their talent. Some lost their mind and wear toy guns as a part of a costume. Some lost themselves to drugs. Some have become successful, some fell on hard times, some passed on, and some cannot be found. Not one has any regrets. From the commentary to the interviews, the various participants share technical and personal stories. The interviews, out-takes, artwork, and other bonus material will enthrall the viewer for weeks (or even months). Decades later, their love of hip-hop and graffiti remains fervent. After multiple viewings, all of them eventually become the viewer’s friends. “Style Wars” is a certified classic that kept viewers intrigued for more than 20 years. The documentary is beautifully honest, exceptionally gritty, intensely fair, and wonderfully lively. While many hip-hop films will be forgotten, “Style Wars” remains the essential document for graffiti and hip-hop. True lovers of hip-hop must respect these artists who paved the way. This film educates us of a time and place when hip-hop inspired creativity, created peace within a dangerous atmosphere, connected races, and established the birth of a youthful urban culture. The movement’s futility is a fascinating aspect. An artist’s work could last forever on a canvas, but they choose to paint trains that may be washed or painted over within days. With little or no profit, the graffiti movement remains a vital aspect of hip-hop. If you don’t believe me, ask Krs-One. There is something inside these revolutionary artists that transcends all cultural and societal limits. What makes these artists risk their lives (third rail, beef) or their freedom (police) to paint on a train that will be washed or painted over? Regardless of how futile their effort may be, their need to express themselves is the main element which empowers the culture. “Style Wars” is the classic definitive film that poignantly captures the birth of hip-hop. Ignore the toys! This Sunday evening, put on your gloves and your hoody, bring a couple of cans of Krylon, and go bombing for the fame!
19.09.200628.2KB
ignorati scrisu'... prima vedere..ignorati scrisu'...
05.08.200620.1KB
asc winter session ! peretii bacauani!ASC Winter Session !
04.02.200730.4KB
legenda scenei din sua, a facut istorie sambata trecuta (5 august) la festivalul Supernatural, legenda scenei underground din SUA, a facut istorie sambata trecuta (5 august) la festivalul "Rock the Bells" datorita skill-ului sau de MC. Supernatural detine recordul la cel mai lung freestyle, intrecandu-l pe rapperul canadian D.O., cu peste 15 minute. Supernatural a "scuipat" rime timp de 9 ore intr-o camera VIP. Tema freestyle-ului? Spectatorii ii dadeau obiecte pe care scriau diferite cuvinte, iar MC-ul se lega de acestea. In timp ce Supernat facea istorie, afara pe scena au cantat Redman, Mos Def, De La Soul, B-Real, Immortal Technique, Aesop Rock, Living Legends, Planet Asia si Talib Kweli, plus multi altii. :rotfl: c surprins sunt..
30.08.20067.1KB

 
volume in 1986 cover design by gabriel e. monkees - mary mary bad bascomb - black grass the winstonsVolume One Releasesed in 1986 Cover design by Gabriel E. Rajman Tracklist The Monkees - Mary Mary Bad Bascomb - Black Grass The Winstons - Amen Brother 7th Wonder - Daisy Lady DC Larue - Indiscreet Rufus Thomas - Do The Funky Penguin Mary Mary sampled by Partner in Crime "Mary Mary"and Run-DMC "Mary Mary" Amen Brother, sampled by 2 Live Crew “Feel Alright Yall”, 3rd Bass “Wordz of Wisdom”, Brand Nubian “The Godz Must Be Crazy”, Eric B & Rakim “Casualties of War”, Mantronix “King of the Beats”, NWA “Straight Outta Compton”, Schoolly D “How a Black Man Feels” and many many more.
01.11.200612.1KB
tzeava :nod: aberatiitzeava :nod:
22.09.200659.4KB
"My favorite artist was James Brown. That's who inspired me ... When I came over here I just put it in the American style and a perspective for them to dance to it. In Jamaica all you needed was a drum and bass. So what I did here was go right to the 'yoke'. I cut off all anticipation and played the beats. I'd find out where the break in the record was at and prolong it and people would love it. So I was giving them their own taste and beat percussion-wise ... cause my music is all about heavy bass ..." - Kool Herc DJing exists in many types of popular music, but the DJ is especially important in the hip hop world. The DJ is the person that keeps the party going, he is the one responsible for lacing down dope beats that the MC’s can rhyme over. The first hip hop DJ was Kool Herc. In 1973, Herc was asked to DJ a party for a relative. During his set he would use two turntables and switch from record to record without cutting the music. Kool Herc was the first to use a continuos mix of music. Herc also invented the break-beat by cutting together two samples of James Brown’s hit, ‘Get on the Good Foot’. The break beat allowed dancers to have a continuos rhythm to step to. Soon Herc was doing this cutting from record to record to invent different ‘breaks’ The way Herc mixed the records was very rudimentary and often at times he was guessing about where and when to switch records. In 1974, this all changed when a DJ named Pete Jones uses a toggle switch, so that he can change which record he hears through his headphones. This made him able to match beats better and made the transitions between beats a lot smoother. DJ mixers were soon produced that had this toggle switch for headphones as well as a crossfader that allowed seamless crosses between records. In 1977 a DJ known as Grand Wizard Theodore invented the most popular technique used by DJ’s in the hip hop world today. The ‘scratch’, so the story goes, was invented while Theodore was practicing in his room. His mother came in and while she talked to him, Theodore stopped the record by laying his hand on it. She continued talking and he started moving his hand back and forward over the record. This was the birth of the scratch. Theodore began using the scratch over other records while they played and the scratch became an instant success. DJ tools: 2 turntables and a mixer DJing is not much more than that. It has evolved some over the past twenty years, but basically is just cutting up beats and dropping scratches. Certain techniques for mixing are common, but most DJ’s know that they have to find there own style that works for them. DJing, however, is not as easy as it sounds. In fact it takes years to master just a simple scratch. The DJ is a highly coveted position in the hip hop community. Good DJ’s are paid very well to perform their talents and no rapper is any good on stage without an equal as good DJ behind him. DJ Kool Herc
14.09.20067.3KB
va certati ca fraierii . . . asa nu rezolvati nimic :rolleyes: myspace de moldova aka va certati ca fraierii . . . asa nu rezolvati nimic :rolleyes:
22.09.200647.4KB

 
fotografii promoe la bucuresti
12.11.200631.8KB
enter the wu ... wallpapersenter the WU ...
29.07.200625.5KB
fotografii promoe la bucuresti
12.11.200634.6KB
;) wallpapers;)
27.07.200684.7KB

 
sa pun si yo sa ma simt sigur e rus, dak nu din bacaului :)))sa pun si yo sa ma simt bn:dinti: asta sigur e rus, dak nu seamana:nod:
28.08.200632.8KB
graffiti = the writing on the wall first of all i must say that throughout all my research andGraffiti = The Writing on the wall First of all I must say that throughout all my research and speaking with people from the beginning nobody really knows who started the Graffiti art. There will always be one that did it before another... But the art envelopment and it still does. This is the story as I have researched it !! Since the beginning of the human birth there has always been Graffiti. Off course not as we know it today as a part of Hip Hop. But it all has it's beginning somewhere like the other elements of Hip Hop. Graffiti throughout time has always been important for the history. In the stone age the primitives wrote their history on the walls. That's one of the reasons that we now know so much about their living. The Indians have been doing the same thing. Even the Maya Indians and the Egyptians.. But as the paper was invented the writing on the walls got down on to paper and the walls stayed clean for centuries. Except for some slogans painted to free somebody or to protest. Later in the late 60's and early 70's, gangs used their tags and colors to mark their turf. Those gangs had their own name taggers. The writers would write the gang name wherever they passed and in their own territory. They also used to write their own names. Check this out in the movie "Warriors" from 1979. Also check out the Graffiti on the trains at that time. If any of these writers were caught behind enemy lines, they would be beaten up and then sprayed with their own paint. Some of the earliest places were at Dewitt Clinton High in the Bronx. The school was near to a Transit authority yard were out of service subway cars were stored. The youth has always been scribbling in the subway trains, and when the spray cans arrived they soon used that. Whitch is in fact an Norwegian invention that got developed later in the states to shape what we know today. Also a known character from the World War II were Kilroy. Kilroy was drawn by people in the army. There wrote it to mark that the americans had been there. And everywhere they traveled around the world they wrote, "Kilroy Was Here" This was soon adopted and used in a lot of jokes, stickers and other stuff. Now, back to our storyline.. In the 60's Philadelphia there were two persons competing about having their name most places. They wrote Cool Earl and Cornbread all over as they were travelling. For a lot of people today these guys are are the foundation of tags/graffiti known today. Another place in the early 70's, more close to New York there was this guy working as a city messenger named Taki. He would on his routes mark his way with the name Taki 183 after the street he lived on. Soon this made attention and people took notice. And it did not take long before others were doing the same. Examples like Frank 207, Joe 136, Julio 204, Barbara 62, Eva 62. All after their street adresses. It soon spread by the train and then it developmented from there on with bigger letters and some with filled colors. One of the first with simple letters on a train was made by Spin. when people saw this they soon started doing the same. By hitting a train thir work went city wide. From now on there was no limits at all, it developmented fast and quickly became a phenomenon. The letters got more complicated and a lot of characters were entered. The writers started using the train stations for braging and showing black books. Later named as 'Writers Bench'.
01.11.200628.5KB
wallpapers=)))))))))))))))))))))))))))))))))
15.11.200617.2KB
b-boying became even more popular in 80s. it was first introduced to out side of new york city andB-boying became even more popular in 80s. It was first introduced to out side of New York CIty and the rest of world by a movie ‘Flashdance’ in 1983. Even though it was not a b-boy movie, a short scene which featured b-boying and popping on a street had a great impact and was enough to inspire people to start b-boying all over the world. There were other movies to, like ‘Wild Style’ and ‘Beat Street,’ but these movies weren’t as commercial as ‘Flashdance’. Breaking crews like the Rock Steady Crew soon became famous worldwide as the media became attached to this interesting new dance. Crazy Legs, from the RSC is still recognized as one of the greatest b-boys of all time. The media attachment to breaking only lasted till the mid 1980’s, but breaking didn’t die. B-boys went into the underground were they continued to master there b-boy techniques. 20 years later breakdancing has made its way all over the world and is now as popular as ever. Nowadays, B-boy events such as B-BOY SUMMIT and ROCK STEADY ANNIVERSARY are organized every year and many b-boys from all over the world get together and keep the culture alive and even try to take it into next level. Want to know more about breakdancing? Or maybe even learn how to be a B-boy? Check out the following links:
14.09.200625.5KB

 
:nod: two turntables and awoooooooooooooooooooooooooooooooooooord... :nod:
14.09.200617.9KB
word.. shit man.. ce vb lumea d bc =( =( =( :x ..care si cum percepe bboyin'ul ! da' nu gaseamWord.. Shit man.. ce vb lumea d bc =( =( =( :x Anyway..fiecare ..care si cum percepe bboyin'ul ! Da' nu gaseam ce subiect sa mai diluam p'aici.. asa k da'ti drumul la butoane sa curga p raul crisul net za monitor.. :rolleyes: :rotfl:
29.07.200630.5KB
.. graffiti is not a crime!..
25.10.200625.4KB
ceva mai recent nu am :( oameni buni nu sparge nimeni gheatza? hai cine pune poze?ceva mai recent nu am :(
09.10.200637.3KB

 
zice edy :rolleyes: graffiti is not a crime!zice edy :rolleyes:
30.10.200633.5KB
multumim mult..esti o usera pe cinste.. am si yo una, obie&mutzu :rotfl: wallpapersmultumim mult..esti o usera pe cinste.. am si yo una, obie&mutzu :rotfl:
29.10.200615.3KB
vpc brings you ''3 on floor - struggle sense'' da' hiphop intro, event battles: bboyin' and comandaVPC PRODUCTION, BRINGS YOU ''3 ON FLOOR - STRUGGLE SENSE'' DA' DVD..INCLUDEIN': HIPHOP INTRO, EVENT BATTLES: 3ON3,2ON2,CWonCW.. bboyin' cypher,freestyle battles,interviews and more.... pt comanda write me at obie_vpc@yahoo.com ...or ... Peace'n much love..God Bless! /
29.07.200615.6KB
hahaa sala unde a fo ultimul battle.. fotografii promoe la bucuresti hahaa sala unde a fo ultimul battle..
12.11.200637KB
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