Mesaj ktre oamenii de la poalele dealului...
:)))))))))))))))))))))))))))))
30.07.2006
22.8KB
pace...first of all...ce nume are threadu' asta HipHop/Rap/Gangsta....nush de ce sunt ele enumerate se vede k cine a facut subjectele astea n'avea treaba cu hh'u':nono: ...shi tot cine a pus a facut thread shi pt Oldschool,funky...shi mai e unu hiphop...sa vina bajetzii sa vada sa va bata cu curelutza la funduletz pt blasfemiile astea
:rotfl:
in fine...watin' sa vad ce mishcare mai e in bc hh...k p vremea mea o ardea lumea dubios...dau pace cu aceasta okazie pt voodoo people shi pt arn...shi skimbatzi topicurile astea..punetzi HipHop..shi dupaia ramificatzi'l...
pace shi prosperitate...:nod:
27.07.2006
6.5KB
Between Vandalism and Art Lies the Art of Graffiti!
Since its conception Graffiti has remained on the borderline between Vandalism and Pure Art.
The notion of it being vandalism stems from the Graffiti artist's choice of Canvas- Other peoples walls and property. As well as from the fact that often times too many artists can ruin a canvas and sometimes a not so good artist comes along and ruins the canvas. (non skilled Graffiti Artists etc)
Graffiti Artwork Above By: Seakone
The Art Of Graffiti
The art of graffiti lies in its beautification of drab environments. Graffiti can enhance and alter its surroundings
through a colorful explosion of geometric and serpentine shapes and colors. The Grafitti artist is a master of Color and is capable of making even contrasting color schemes work together by countering each clash with even more prominent color harmonies. Unfortunately much of the stigma behind graffiti stems from tagging. While tagging and Graffiti share some commonalities... The two are not the same.
Tagging Up On A Wall Vs. Art
Tagging was initially the final signature one would place on their finished Graffitti masterpiece. As Graffitti became more popular Artists began to stake out a claim on a wall they planned on painting on by tagging it first with their signature... as if to say this is my canvas find your own! Gang Members began using this as a way of staking claim to neigborhoods and lesser Graffiti artists saw it as a way to "get up" on the walls too, and be recognized... After a while it was no longer a claim to a wall to be first but soon it became a status quo to be seen as the highest tag on the wall, the one with the most tags around the city or the one with the most inaccessible tags, the one with tags in super hard to access areas of the city... Trains being one of them trains being one of the best places for graffity, as the trains would travel around the entire city exposing the art or the tag to millions from all over....Soon Graffiti as Vandalism became the view of most. lesser artists wanted the recognition of others art and would occasionally tag over artwork claiming it as their work,, this became the basis for the movie "Beat Street" Which featured Characters representative of each of the four elements of hiphop. And which helped expose millins more to the phenomenon which was to become...
Graffiti Artwork Above By: Seakone
19.09.2006
19.7KB
CRAZY LEGS Hipo HOp dance pioneer.(Rock Steady Crew)
The Rock Steady Crew was established in 1977 by Bronx b-boys Jimmy D and Jojo. When they started this crew in the streets of the Bronx, they had no idea that someday it would take them all around the world. Only the best b-boys were down with Rock Steady. They had rivals in all five boroughs of New York and for every rival there were ten kids who wanted to be down with them. However, getting into the original crew was not easy. To get into Rock Steady you had to battle one of the other b-boys in the crew. It was a competition few people won. In 1979 when the b-boying hype was beginning to die down, Jimmy D put Crazy Legs and Lenny Len down with Rock Steady just in time to add new life to the art form and take it to the next level. This was at a time when Crazy Legs moved to Manhattan. Going back to the Bronx every weekend became too difficult for Crazy Legs pockets. He then started to explore the Hip Hop scene in Manhattan more often. This meant losing touch with other members of Rock Steady. Crazy Legs would spend most of his time developing his craft in tenement building hallways and battling b-boys that he would come across and eventually hanging out with the ones that he felt had an original style. Wanting to start a crew of his own he went back to the Bronx to look for Jimmy D and the rest of the crew to get permission to start a chapter of his own. He was not able to find them. Not knowing what to do, he sought the advice of his cousin Lenny Len. Lenny Len suggested that he join Rockwell Association (another well known crew from the Bronx). Rockwell Association was the crew that had turned Crazy Legs down as a member before he got in to Rock Steady Crew. This time Crazy Legs had a lot more to offer. They immediately put him in Rockwell Association and gave him a chapter in Manhattan. It was bitter sweet for him. He felt that Rock Steady Crew was the better of the two and wanted to use the Rock Steady Crew name. In the early part of 1981 Crazy Legs had come across Jimmy D and told him about what he was doing in Manhattan. Jimmy D was impressed with the amount of members that Legs had in Rockwell Association. Crazy Legs asked Jimmy D if he can start a chapter and Jimmy D gave him permission. Crazy Legs immediately changed the name of the crew to Rock Steady Crew. Although none of the members that got into Rock Steady Crew by battling, they had already gained the respect of Crazy Legs. Crazy Legs and the new recruits from Manhattan eventually became the motivating forces behind b-boying gaining back its popularity in the streets of New York City. The turning point for Rock Steady was in 1981 when people began to take notice of all the noise Crazy Legs, Frosty Freeze, Take One, Little Crazy Legs and Ken Swift were making in Manhattan.
In August of 1981, photographer/sculptor Henry Chalfant offered them the chance to perform at the Lincoln Center Outdoors Program. This performance, which was also a battle with rival b-boys from The Dynamic Rockers, was crucial not only because it was covered by local television stations, The New York Times, The Village Voice, The Daily News, and National Geographic, it would later gain them worldwide exposure. Jimmy D took notice of the buzz that Crazy Legs had started in Manhattan and made him President of the entire Rock Steady Crew. Crazy Legs in turn made Frosty Freeze and Ken Swift Co- Vice Presidents. In the winter of 1982 the Rock Steady Crew was invited to perform at the original Ritz nightclub. The list of performers that night included the Punk Rock group BOW WOW WOW, Afrika Bambaataa and the Jazzy 5. Since Afrika Bambaataa was known by many as the “Godfather of Hip-Hop�, the Rock Steady Crew was honored to be on the same bill. After their performance, Crazy Legs and Frosty Freeze asked Afrika Bambaataa if they could be down with the Zulu Kings, the most highly respected of all b-boy crews. Afrika Bambaataa allowed them as well as the entire Rock Steady Crew to become members of the Zulu Kings, knowing that they would also become an integral part of the Zulu Nation. Soon after that performance the Rock Steady Crew took the downtown club scene by storm. They became caught up in a culture clash of Rastafarians, Punk Rockers and Hip-Hop heads. As the word spread, Rock Steady expanded into a huge family consisting of women, children, roller skaters, artists and DJ’s. The Crew’s popularity grew bigger than the city of New York and Kool Lady Blue started managing the group. She booked them on the Roxy Tour, sponsored by Europe One Radio. The Roxy Tour took the Rock Steady Crew, Afrika Bambaataa, Fab Five Freddie, The McDonald Double Dutch Girls, DJ’s and graffiti artists straight from the “concrete jungle� to London and Paris. It was the first Hip-Hop tour of it’s kind and it opened the door for many more to follow. The Crew also appeared on the Jerry Lewis Telethon two years in a row. In November 1983, they were asked by the Queen of England to perform at the Royal Variety Performance in aid of the Artist’s Benevolent Fund. During these spectacular performances Charisma Records approached the Rock Steady Crew with a record deal. The record “Hey You, The Rock Steady Crew� was in the top ten charts in Great Britain and sold over a million copies. The Crew, however, saw very little of the proceeds. Due to their lack of knowledge of the music industry at such a young age, the company took advantage of the Crew and would not allow them any creative input toward their own project. When Charisma Records went out of business and was sold to Virgin Records, the group was put on hold indefinitely. During this time, the crew's management told them not to dance in clubs. They tried to convince them that it was in their best interest not to dance they way they love to. Just for fun. Suddenly the Crew was on the outside looking in. By this time they had lost much of their fame and notoriety. They found themselves at a dead end with no plans for the future. Regardless, the Crew never split up, but they took some time to regroup and they went their separate ways. Some members took an optimistic attitude and went back to school or pursued other interests. Others did not fare so well. However, the Crew kept looking forward and took their anger and disappointment and made something positive. In 1991 Mr. Wiggles approached Crazy Legs about an idea he and Fable (Magnificent Force) had for a Hip-Hop musical. Crazy Legs (with the help of Mr. Wiggles) then needed to persuade Ken Swift to start dancing again in order to have Ken involved as well. The musical was called “So, What Happens Now?". Rock Steady member Buck 4 (R.I.P) provided the perfect scenario to base the musical on. He said, “You don’t know what it feels like to go fill out a job application. where it says, ‘what do you do?’ what do I write? I spin on my head?� “So, What Happens Now?� was the critics choice in the New York Times and received rave reviews in The Village Voice, The Daily News and El Diario. In 1992, they received a standing ovation lead by Gregory Hines at the Kennedy Center Honors where President George Bush, Gregory Peck and the Nicholas Brothers were all in attendance. A Rock Steady Crew Anniversary is held annually to symbolize the preservation of the history and evolution of Hip-Hop Culture. This monumental community event brings out DJ’s, b-boys/b-girls, graffiti artists, emcees and thousands of other positive Hip-Hop heads from all around the globe. It also honors members of Rock Steady Crew and members of the Hip-Hop community that have passed away. Since their beginning the Rock Steady Crew has come full circle. Crazy Legs is still president of the crew. Fabel and Easy Roc are co-vice presidents. They have added new faces like Fever One, Alien Ness, Jeromeskee, Floor Phantom, Lady Jules, Floor Rock as well as members in Japan, United Kingdom and Italy. The difference this time is that they have total control over their company and their destiny. “This time we have control over what’s going on�, says Crazy Legs. “We are running it with no one to answer to and that makes everything we do more satisfying�. With the Rock Steady Crew’s 29th anniversary on the horizon, they have plenty more goals in sight. The Rock Steady Crew has bounced back and performs throughout the world. They remain very active in the community and are involved in several different outreach programs as well as holding food drives and donating time and money to non-profit organizations. They hope to set up a Rock Steady foundation for children. This program will provide dance classes and other activities that will help to influence the youth to stay on the right path throughout life. It will also involve maintaining and preserving Hip-Hop culture. also visit:
29.07.2006
14.2KB
..
09.10.2006
37.3KB
shi akum..akum nu'tzi convine k vin cei din new'era curioshi sa afle shi ei ceva nou..kum vrei sa faci mishcare?
Brow.. i'as ajuta ..no doubt.. da' tu n'ai citit mai sus c dorinta au ei sa afle some shituri..!!!? :) Nici un post n'am avut d knd intrase oamenii tai si au si sarit pe mine.. :)) yo chiar n'am nevoie de respectul lor..sau sa fie de acord q mine.. yo am crew'ul meu in kre supravetuiesc si d la care am c invata.. Dak mi se cere sa ajut.. no doubt.. ma aplec si fuck tot posibilul..da' nu asa brow.. qm s face in moldova'n kmp : ''Baa..ce'i q tine baa te crezi tare.. esti un nimeni baa.. yo sunt cel mai tare'' Poa' sa fie unul kre asculta bug mafia feat fiz..u tre sa t cobori la nivelul lui si sa'i arati klea cea buna.. si mai departe depinde de el..dak vrea asculta sfaturile.. dak nuh..kuta noul album al lui 50kent vs irina login..da makr ai incerkt!!! Asta zic.. mai intai.. dak u te crezi real tre sa ai atitudine si sa'i respecti p cei din jurul tau.. in oarecare masura..!!!Dak te crezi mai real k el ..Demonstreaza prin fapte..nu prin vorbe < :) k, in cazul mc vs mc mere prin vorbe :) > Anyway.. m'am saturat sa vb shituri d'astea.. Oriqm ash face o chestie q toata lumea hh din bc.. (gen buc: HipHop Maniacs.. e prea tare..mai am juma d an si ma kr si yo acolo.. abia astept sa skp d ciobani).. da q oameni d'astia kre se cred dope peste noapte..nu cred k voi realiza in viata asta..! :hi: Pacea fie cu tine! :hi:
Vudu pipal cru! Biotf2
29.07.2006
47.3KB
pigy
03.05.2007
4.8KB
:rotfl::rotfl:voi nu suteti normali ....nici eu... :zzz::zzz:edy faci cinste...ti`am gasit cap pt. picior :zzz::zzz::hi:
24.11.2006
4.8KB
:rotfl: :rotfl: :zzz: :nod:
11.05.2007
4.7KB
dot
21.11.2006
27.3KB
...
Graffiti is the street art of HipHop. To many, the writing all over buildings and public places in most of America’s major metropolitan areas is nothing more than vandalism, and well...alot of it is. But graffiti is a big part of hip hop culture, and though a sharpie scribbled on a subway wall may not be art, many of the ‘graf’ heads that practice graffiti are true artists.
Graffiti has been around for as long as humans can write. The word graffiti comes from the ancient Greek work graphien, meaning; to write. The first graffiti was done by prehistoric man on the walls of the caves they lived in, often in symbolic pictures to tell the story of a hunt or a long voyage. Thousands of years later graffiti was used to spread anti-political messages. Guerilla activists would sprawl a message in huge letters in public areas in hopes that people would recognize their cause. Graffiti as we all know it in the 21st century began with a man named Keith Harring, Harring was an artist and to promote himself and his work he would plaster posters of his unique drawings in subways and other highly trafficked places. Soon instead of using posters he would just draw directly onto the walls. This was the beginning of graffiti art.
But wait...what about the scribbled words that are so common in big cities? Well those words are called ‘tags.’ And though tagging is the least artistic form of graffiti it is also what popularized the art.
Tagging began in Philly in the 1960’s, but wasn’t popularized till it made its way to New York City. In 1971, The New York Times published an article on a person named TAKI 183. Taki 183 was a tag that first showed up in a Washington Heights neighborhood, but soon was all over the city. The Times traced the tag to a foot messenger whose nickname was Taki, and 183 was the number of the street where he lived. Taki 183 would tag the buildings where he delivered messages and also write his tag in the subway, the way he got around.
Though there were other people doing the same thing as Taki 183, the Times article gave credit to him, and soon thousands of kids began duplicating Taki’s tag in there own name. This became known as ‘bombing.’ Kids would tag the places they where at with markers at first, but then moved on to spray paint. The object was to ‘bomb’ as many places as possible, therefore having your tag be the most respected. Soon subways and back allies were filled with tags.
‘Graf’ writers soon realized that just having the most tags was not enough to stay recognized. This was the beginning of tag style. Writers began using unique ways of writing to keep there fame. Different scripts where used in different parts of New York City and soon one writer was able to know were another writer was from just by his or her tag style. This was the next step in the evolution of graffiti.
Taggers from different areas began to link up, much like breakdancers did, into crews. These crews would find the best places to tag, trying to make them the biggest and most elaborate they could get. Spray paint became the tool of choice for these graf crews. The standard spray nozzle for a can would only spray in thin lines an the graffers could not get the desired effect out of the spraypaint so, kids began removing the nozzles and replacing them with nozzles from other aresol products that would change the way the paint came out. Writers sprayed the names of there crews in block letters which they would fill with unique designs. These deigns then started to appear outside the letters and often became more important than the words. By this point tagging had metamorphosed into something far more artistic.
These new elaborate deigns were called ‘pieces.’ Writers realized that by bombing the sides of subway cars with pieces, their work would travel around the city and be seen by everybody. Soon the entire sides of the cars where taken up by by pieces stretching from top to bottom and side to side. Some of these pieces would take hours to complete and the crews that did them would often break into train yards in order to have enough time to finish. The first top to bottom ‘masterpiece’ as it was called is attributed to one person, named SUPER KOOL 223.
Graffiti art peaked in the early 1980’s and the cities would pay thousands of dollars to clean up graffiti, but the art never died. Graffers soon stopped writing words and tags and would just spray unique pictures and designs. Many graf artists became legitimate commercial artists. From its early beginnings in Philly and New York, graffiti spread across the nation. In the 1990’s Europe had a surge of graffiti artists and pieces would show up all over Dutch and German cities. As an art form graffiti still exists and a new graf artist is born everyday, however it is unlikely that it will ever see the popularity it saw in the late 1970’s and early 1980’s.
Of the four elements of hip hop, graffiti is the only one not linked to music . Why hip hopers grasped onto graffiti as a form of expression is unknown. Perhaps it is because just like MCing is about getting your ‘props’ and being the illest lyricist, the goal of graffiti is having the best most elaborate style. Whether or not this is the reason, graffiti is still a major part of the culture as a whole.
Want to see more graffiti art, check out
14.09.2006
19.5KB
u can contact the Universal Zulu Nation.. at their main website true/Real hiphop...tha essence of Hiphop.. ukwis.. p.out /
:nod:
27.07.2006
36.4KB
ZooM
25.09.2006
44KB
ceva poze de la Promoe..
12.11.2006
38.1KB
thatz me : nice 2 meet u all . nu radetzi de graff pls k i'm a beginner :D
29.07.2006
34.2KB
anada'
29.10.2006
25.5KB
10.01.2007
33.4KB
12.11.2006
29.3KB
damn..nu tre sa dai graff neaparat p boojal'arab sau sa te catzari p alpi sa dai tag..sunt si la noi oameni si locuri care roop norma...de aia ar fi bine sa facem posibila iesirea aia..asa ca o sa va anuntz soon cam cat ne'ar costa cu totul..traseul il alegem de comun acord!
29.10.2006
18KB
Si you ca-i fara bani..
25.07.2006
52KB
Real manz.. :nod:
Stan&Bran rules vernes
:nod: :nod: :nod:
29.07.2006
17.9KB
ghiozdanele bacauane ( ASC baby :cool: ) :
19.09.2006
40.4KB
:rotfl: :rotfl: :rotfl: .. U CINE MAI ESTI MHA!!?? Ala care taie taguri prin orash!!?? Baga'te si u putin nuh..!!? Pai c poola mea..esti tare! Demonstreaza q fapte nu q mankt kkt p forum!! :rotfl: :rotfl: :rotfl: E prea clar k voi..''elevii'' lui roby v'ati propus sa ma puneti la colt.. Yo nu'mi bat capu' q voi .. e k si qm ash vorbi q nish plante.. Uitati'va in poola mea la.. The Freshest Kids ..si apoi mai disqtam ..k ceea c zic yo aici n'am visat noaptea sau am vazut la horoscop.. <5elem>asta o zice: FATHA of HIPHOP KOOL HERC ..and tha godfatha of Hiphop Afrika bambabata .. !!! Asta e diferenta intre mine si voi: Yo ascult de ei..voi ascultati de Roby! Yo ma retrag d p forumul asta k e inpanzit d antiOBIEzi..yo nush d c poola mea vb d mine dak nu ma qnoasteti.. dak ascultati d roby si alti ''prieteni d'ai mei"'..e clar c reclama mi'au fuqt..!!! Johnny ..dak zici k ma cunosti.. yo zic sa n intalnim la o bere ceva .. sa disqtam .. si sa'ti dau materiale si sa vezi d unde am scos yo al 5lea element..k asa n'ajungem nikieri.. Dak nu .. continuati q aruncarea sulitelor in mine.. ! Incepe Sindromul! Ai 3 incerkri!
PS: Cine ma cunoaste q adevarat stie ce'am fuqt pt hiphop..yo nu stau sa va dau inventarul! 8 Februarie-BC Battle regional-3vs3 Primul realshit underground d bboyin' and Emceein' din bc! :hi: :hi: :hi:
27.07.2006
28.2KB
JEDI MIND TRICKS IN ROMANIA, PE 24 NOIEMBRIE !! (THIS SHIIIT IS OFFICIAL!!!) Am vazut da' afish pe geam la casa de pensii.. V.O.T.Q.A. area! / :rolleyes:
30.08.2006
31.1KB
"Breakers" (Breakdancers) loved the break and would use those moments to really showcase their skills. Whenever the "breaks" would come on so would their energy hence the name break-dancing. (though my momma thought it was cause "they're gonna break their neck dancing like that")
During the break Herc would also chant things like "B-Boys Go Down" "Throw your hands in the air/And wave'em like ya just don't care!". This type of crowd pleaser was known as "rapping" to the crowd. At that time rap was not yet known as 'rap' in America but rather called 'MCing'. He later turned his attention to DJing and let two friends Coke La Rock and (the orginial) Clark Kent handle the mic. This was rap music's first MC team. They became known as Kool Herc and the Herculoids.
"So what I did here was go right to the 'yoke'. I cut off all anticipation and played the beats. I'd find out where the break in the record was at and prolong it and people would love it."- DJ Kool Herc
To this day there is still speculation as to what Herc Meant by the term B-Boy some say it stood for "Bronx Boy", others "Boogie Boy", But the most common and favored is still "Break Boy"
Kung Fu & Dancing Merge To Become Breakdancing!
Break Dancing another element of hiphop developed partially with New Yorks afficionation with the 3' Oclock channel 5 Kung FU theater flicks.. as many of the drunken and monkey styles of kung fu incorporated intricate ground fighting movements like windmills, caterpillar rolls, worms and kip-ups which the Breakers developed into a dancing artform.
The Break Loop!
Grandmaster Flash (shown Above) perfected the looping of breaks and beats by adding a headphone cuing system This allowed him to hear the song in his headphones without the crowd hearing it. Now he could insert breaks and loop them seamlessly by backcueing the record (backspinning the record while listening to it) and repeating the process he could extend the break perfectly and endlessly.
19.09.2006
16.6KB
nice one lmnt :)) ;)
02.12.2006
21.4KB
BEAT STREET... un film old school pe bune ;)
29.07.2006
16.3KB
ya d'aci .. d la rmd d'acasa :dinti:
12.10.2006
26.7KB
DJ Vadim, Yarah Bravo & Biu Rum B, adică One Self vor concerta în Bucureşti pe 9 Septembrie 2006, asta după ce pe 2 Iulie din motive de sănătate din cei 3 membri doar Biu Rum B a fost prezent pe scenă. Locaţia rămânâd aceeaşi White House, Clapham, e posibil să fie în deschidere tot Khidja Clouds Society (DJ Rusu, DJ Flore & MC Cogeamite Găligan aka Vexxatu' Vexx) şi Tavi (B.A.U.). :rolleyes:
30.08.2006
41KB
Inside of Rap/Hip Hop there are several categories.
In the beginning there was most forentertainmant but soon developed in different styles and issuies...
In alphabetic order....
B Boy
There is a category for just B Boy (Breakdance) music. It contains of mostly breaks and instrumentals. The style is more common today, especially in Europe. Mostly because people are able to easy make their own music on pc.
Some known tracks:
Breakers Revenge - Arthur Baker
Zeb Roc Ski - Most of his tracks
Z-Trip - Most of his tracks
B Boy Funk
I choose to make a category for this. There are some funk that makes a B Boy/Girl go berserk in the ring. These tracks are songs that get played again and again and again all over the B Boy world.
Some known tracks:
Take me to mardi gras - Bob James
Ferandole - Bob James
The Incredible Bongo band - Apache
Champ - The Mohawks
Dance to the drummers beat - Herman Kelly & Life
Give it up and turnit a loose (In The Jungle Groove Remix) - James Brown
RockCreek park - The Blackbyrds
Scorpio - Dennis Coffey & The Detroit Guitar Band
Theme from Black Belt Jones - Dennis Coffey
Theme From S.W.A.T.- Rhythm Heritage
Battle Raps
There was a lot of battle records in the 80's. MC's dissing each other live and on records. Not so many does it today, mostly because everything is studio made. And MC's don't freestyle that much anymore.
Some known tracks:
The Bridge - MC Shan
The Bridge is over - Boogie Down Productions
Another Ho - JJ Fad
Jack The Ripper - LL Cool J
Let's Go - Kool Moe Dee
Talkin all that Jazz - Stetsasonic
The battle - Sparky D vs The Playgirls
Fuck Compton - Tim Dog
Almost all tracks - Eminem
Breakdance
In the 80's from 82-86 there was a whole lot happening world wide, like movies and ceomersial Hip Hop. And due the fact that stars at that time was hired to make Hip Hop soundtracks made a lot of 'Breakdance' tracks. And it was in fact these tracks we were dancing to in the early 80's.
Some known tracks:
Bar Kays - Freakshow on the dancefloor
Street Dance - Break Machine
Break Dance Party - Break Machine
Electro
Electro started out in the early 80ths and had it's breakthtought with Afrika Bambaataa & The Soul Sonic Force's 'Planet Rock' Which still are ranked among the Top 100 all time best hits list on MTV. The sound is very electonic with sharp drums and spaced tunes.
Some known tracks:
Planet Rock - Afrika Bambaataa & The Soul Sonic Force
Looking for the perfect beat - Afrika Bambaataa & The Soul Sonic Force
Beat Box (Division One) - Art Of Noise
Clear - Cybotron
Play it at your own risk - Planet Patrol
Don't stop the rock - Freestyle
Funk
The funk was there before Rap came along, and are still there. a lot of B boys still listen to old and new Funk tacks. It was the funk tracks and the breaks in them that the DJ's started working on for the B boys in the beginning.
Some known tracks:
Funny Rap
In the beginning all the lyrircs was about having fun and how good you were. Some Rappers still proceed with the funny lyrics. And especially in the mid 80's there were a lot of them. Like Biz Markie, Fresh Prince, Fat Boys and Spesial ED.
Some known tracks:
Pop goes the weasel - 3RD Bass
Just a friend - Biz Markie
Big butt - Bobby Jimmy & The Critters
Gotta Potty - Bobby Jimmy & The Critters
Gangsta Rap
The term gangsta was invented by NWA in the mid 80's and was en devolopment of the Reallity Rap. It had a more aggresive sound, a lot of coursing and a lot of street talking.
Some known tracks:
Fuck the police - NWA
Most tracks - Snoop Doggy Dog
Most tracks today from the west coast...
Hardcore
It's a rawer style of Rap, with fast beats and hard lyrics. It's a style that has devolopmented in the late 80's til now. Today there is a lot of Rock bands that Rap to their rock music. Like Red Hot Chilli Peppers, Anthrax Faith No More etc.
Some known tracks:
Flags on fire - Bolt WarHead
The first blood - Brigade
Most tracks - Hijack
40 days in may - Overlord X
Most tracks - Silver Bullet
Hip Hop
This is a style that is more or less died out. It usually had hard funky beats with a good flow in the rhymes. It really worked on the dancefloor and usually had good chorious on them. Some call this Old School today, but it lasted from 84/85 til about 87/88. A good exampel is to listen to the Rhino series, ' Hip Hop from the top'.
Some known tracks:
Awsome Foursome - Monsterbeat
King tut - Word Of Mouth
Jazz Rap
This is style that started out in the late 80's by someone starter Rapping on the the Jazz breaks. The breakthrough track here was, Gangstarr's 'Jazz Thing'. From the soundtrack about Donald Byrd ?. Guru also had his Jazzmantass projects with Jazz Rap.
Some knows tracks:
Love Rap
To share the love in a Hip Hop way. LL Cool J was the first one out in 1987 with 'I need Love'.
Some known tracks:
Let me love you - 5 Star Moet
I ned Love - LL Cool J
I need you - BVSMP
New Jack
It's a style between pop music, R&B and Rap. It has a very happy sound to it, with soft chorius and some Rap on it. Groups representing like, Wrecks N Effect, Bell Biv Devoe and Bobby Brown. It lasted from 89-92 and then the style developed to other styles like harder R&B.
Some known tracks:
Old School
Well, what is it to say, Old School is Old School in many ways. We consider Old School to be the music from the beginning. And as I know the beginning I would guess music from the early 70's to 1980.
Some known tracks:
Jazzy sensation - Jazzy 5 with Afrika Bambaata
Busy Bee's groove - Busy Bee
Young ladies - Larrie Love
Political Rap
Rappers with real messages in their lyrics. Making a political stand in the community.
Some known tracks:
9mm goes bang - Boogie Down Productions
Illegal business - Boogie Down Productions
Most tracks - Public Emeny
Pop Rap
As the title say, pop with Rap elements in it. Like Vannilla Ice, MC Hammer.
Some known tracks:
Wiggle it - 2 in A Room
Do What you want - 2 In A Room
R&B Rap
Most of the Rap acts on the charts today is categorized R&B. Slow tempo, good chorius and beautiful people.
Some known tracks:
Reallity Rap
That was a phenomenon that showed up in 82 on Grandmaster Flash & The Furious Five's track 'The Message' They were rhyming about street life instead of partying and telling how good you were. This track became a constant hit world wide. And changed the Rap scene totally from then on. Later West Coast group NWA took it to the next step and named it Gangsta Rap. Today this is the most common style to Rap and it's still popular. Every 3rd record on the charts are Rap acts today.
Some known tracks:
Brenda's got a baby - 2 Pac
Gangsta's paradise - Coolio
Tribal, Daisy and Tongue
A lot of people have their own style and sound. It seems to fit in her.
Like Thung Twista, Das EFX. De La Soul, and Tribe Called Quest.
Some known tracks:
Description of a fool - A Tribe Called Quest
Arrested Devolopment - Tennesse
1st of the month - Bone Thugs N Harmony
Underground
It's like underground should be. Unreleased groups trying out new styles, new languages. Making demos, live at jams.
Some known tracks:
40 days in may - Overlord X
most tracks - Silver Bullet
X Rated
Well, what is it so say. Raps answer to porno movies.
Some known tracks:
Banned in the USA - 2 Live Crew
Hey we want some pussy - 2 Live Crew
Me so horny - 2 Live Crew
01.11.2006
50.9KB
Nu e d ras in pana mea.. P WC.. doi copii inocenti!
28.08.2006
43.6KB
Volume 5
Released in 1986
Tracklist
Johnny Hammond - Shifting Gears
Bo Diddley - Hit And Miss
Wild Magnolias - Soul Soul Soul
Melvin Bliss - Sustitution
Freedom - Get Up And Dance
20th Century Steel Band - Heaven And Hell
Banbarra - Shack Up
Soul Soul Soul, sampled by Jungle Brothers’s “Straight out the Jungle†and Schoolly D’s “Saturday Night
Get Up And Dance, sampled by Boogie Down Productions “You Must Learnâ€, Disco Dave & the Cash Crew “High Power Rapâ€, Grandmaster Flash“Freedomâ€, Kool Moe Dee “Don't Dance†and many more.
03.11.2006
8.5KB
ATENTIE.........acest picior s'a pierdut de stapanul sau.........cautam donator de doua maini, picior, trunchi shy cap......cei interesati sa ne contacteze....:hi::hi::hi::hi:;)
29.07.2006
21KB
:hi::hi:
27.07.2006
48.4KB
mi se pare faina poza:Dam vrut sa v-o arat si voua:)
08.09.2006
19.3KB
peace up!any mc's willing to share their story...stilu',idolii,blabla
am obs k e la moda akuma sa portzi o shapca,un batic shi nishte blugi normali da' lasatzi in jos kre vor sa faca muzica...fac un negativ in hhejay,baga nishte versuri de kre shi catzelushu lu' arghezi ar rade..shi apoi ishi arata skillzurile de pokemoni la microphone...vbeam aku cateva sapt cu unu pe net shi m'a intrebat dak pot sa'i fac rost de nush ce negativ de la fiftisent:rusine: k el vrea sa cante asha ceva la nush ce bal..shi versuri shi neg..mha'ntreb cine l'ar aplauda pt enormu' efort depus pt a face asha o piesa...acu kteva zile primesc o piesa de la cineva..cu versuri gen "privesc de sus in sus,totushi la fratzi aproape..." blabla..grasu'xxl,zicand k a cantat'o cu xxl shi i'a dat acordu' sa o inregistreze...shi oricum suna k o poola circumcizata...deci e bucata asta de oameni...kre au asc snoop shi 50 shi cred k pot sa'shi faca un viitor din asta...sa aibe shi ei blingblinguri de argint cu diamante,k asta de tabla a ruginit shi a dat o gramada de bani pe el de la bishnitzaru' de la coltz de strada...shi bineintzeles..i se da un negativ shi incepe sa scuipe akolo un microfon..shi knd zic "sa scuipe" zic la propriu...k muzica lui suna k o flegma..da' el continua deshi lumea'i spune k suna k un ckt fara proprietar...shi despre stilu' asta de fakeri ash putea spune mai multe
shi mai e celalalt stil..kre vor sa faca stil under asha..jmeker gen...k asha e trendy...o sa'l iubeasca lumea'n gura dupaia...shi sta cu dexu'n fatza shi se kinuie akolo sa faca rime din cuvinte chimice shi termeni ale diferitelor boli psihologice sau termeni de astrologie...da' uita esentzialu:mesaju..dak nu ai de gand sa zici ceva pe'un vers..fie ceva din kre sa invetze cineva,fie ofurile tale sau ura ta cu vedere asupra unor lucruri,kre d multe ori se dovedesc sa se potriveasca shi la altzii
dak cineva se afla in categoria asta shi are ceva de zic contra,sa zica shi o sa revin dupaia...
ah da..uitasem...stay :uimit: for this...soon
27.07.2006
40.4KB
da mha il shtiu...shi n'ash avea curaj sa dau cu el..deci omu' ala baga intr'un hal..doamne...supertare..suntetzi tov cu el? k mi'a zis radu iarna asta k v'atzi cunoscut nush unde la timishoara...da' las' k la vara merg shi eo battle bag poola ..
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